Trio Live

Description

Edition of 250 copies, remastered from the original master tapes.

Out of print and hotly pursued on the secondary market, we’re thrilled to announce a much needed reissue initiative, dedicated to Ictus’ back catalog, beginning with four LPs, Steve Lacy and Andrea Centazzo’s Clangs, originally issued in 1976, Derek Bailey and Andrea Centazzo’s Drops, originally issued in 1977, Steve Lacy, Andrea Centazzo, and Kent Carter’s Trio Live, also from 1977, and John Zorn, Andrea Centazzo, Eugene Chadbourne, Tom Cora, Toshinori Kondo, and Polly Bradfield’s Environment for Sextet, originally issued in 1979. Issued in limited editions of 250 copies, they stand among the most important and sinfully overlooked documents of the movement of global improvisation that unfurled during the 1970s, and can’t be missed.

Originally issued in 1977 as the 5th entry in the Ictus catalog, Trio Live was recorded in 1976, only a handful of days after Steve Lacy and Andrea Centazzo’s Clangs was laid to tape, presumably capturing another moment on the same two-week tour that had rendered the recordings for its brilliant predecessor. This time, the pair – Lacy and Centazzo – is joined by the American bassist, Kent Carter, a sinfully under-appreciated artist who had worked extensively in Steve Lacy’s group, played on the two Jazz Composer’s Orchestra LPs, and toured in the bands of Don Cherry, Alan Silva, Mal Waldron, Bobby Bradford, Max Roach, Roswell Rudd, Derek Bailey, John Stevens, Trevor Watts, Steve McCall and many others, leading into this era. The previous year, he had also delivered the stellar LP, Kent Carter Solo With Claude Bernard, as Ictus’ second LP, allowing Trio Live to be understood as a narrowing of an already tight circle, despite its slightly expanded ensemble.

Arguably best defining the first two entries in the Ictus reissue series – Clangs and Drops – is a sense of rigorous and artistry. While no less present across the length Trio Live, what takes the forward charge throughout its five tracks is a sense of joy and pure pleasure in playing together. The sounds and structural interventions are locked in and tight, feeling at ease and intuitively responsive in the ways that players with a history of collaboration are only able to produce.

From swinging and chugging to stepped back and sparse combinations of rhythm and tone – moving from the lingering sensibilities of straight-ahead jazz to radically out hard blow fire – Trio Live is a cornucopia of brilliant artistry and improvised music at its highest form. A total revelation, reemerging after decades of neglect, this long overdue vinyl reissue of Trio Live – issued in a limited edition of 250 copies – is a stunning thing to behold. An absolute must for any fan of Steve Lacy, or free improvisation and jazz at large.